The work is from the personal collection of the late artist Farouk Abdel Aziz, which he acquired directly from Faik Hassan; it is painted on a piece of coarse brown canvas, indicating his influence on the post-impressionist style while preserving the privacy that he drew in his works in harmony and balance in the use of color and light. Faik Hassan excelled in using his delicate brush, through which he distributed complex and gradient color combinations, deftly representing shadow and light on the bodies and clothes of his characters. Intentional, reduced, calculated, and conscious brushstrokes away from spontaneous immediacy in a scene that surrounds the artist with life and gives him a renewed spirituality.
Faik Hassan draws inspiration from oriental tales and narrations about scenes from “The Sale of Odalisques,” where he consolidates his drawing skills on the surface of this work with the strokes of an experienced master who knows the secrets of color and the secrets of the sites of manifestation in one of his masterpieces.
The work is documented with a certificate issued by the Department of Arts in the Iraqi Ministry of Culture and Information, dated February, 18th 1997, and signed by a committee consisting of the late Mohammad Ghani Hikmat, Ismail Al-Cheikhli, and Noori Al-Rawi. Experts who documented this impressionist work of the late Faik Hassan estimate that it was painted around 1941, three years after his return from Paris after completing his studies.
▪ Published in "Memory of Color - Faik Hassan" by Kassim Muhsin, Pg 339, Edition 2016.
▪ Published in MAKOU Magazine, Issue No. 1, Mar.2023.